Ernie's Import Lp Corner
Play It Hot & Elvis Rocks and the Girls Roll
Once again I've come across 2 LPs that deserve to be reviewed
together. "Play It Hot" Laurel LPM 3002 and "Elvis Rocks and the Girls Roll"
Pink and Black LPM 1510. These two LPs are related in that they both contain the
1968 Dressing Room Rehearsals. "Play It Hot" was the first outing, and though I
have not been able to discover a definite year of release, I am guessing approx
1984/5 due to the fact that the LP is not listed in the "Jailhouse Rock" book,
which covers up until 1983. "Play It Hot" features a fantastic cover photo of
Elvis during the '68 Comeback period. Elvis is sitting holding an acoustic
guitar wearing a blue felt-like shirt, there is a wide black-leather-looking
wrist band on his wrist; and the microphone in the fore gives the impression
that it is the same setting as the sit-down shows. The back cover photo is a
fantastic color shot of the Tupelo 1957 show, Elvis wearing the Black Velvet
shirt his Momma made him. In the corners of the back photo the track listings
for the LPs is printed in white text.
This LP had been counterfeited at least once. I was fortunate to
run across a second copy, which have differing factors. First off, the front and
rear cover photos are clearly "blown up" from the original release. On the front
cover, the Laurel "logo" in the bottom left corner is actually cut off at the
bottom and the "mono" script in the upper right corner is right on the edge of
the cover; while on the original LP cover there is a healthy gap between the
above mentioned. Also, the rear cover photo on the counterfeit is "blown up",
putting the text on the back closer to the edges than the original. The original
cover has a laminated glossy film on the front, while the back is of semi gloss
stock. The counterfeit is printed on glossy stock front and back. The inside of
the sleeve is gray on the original, white on the counterfeit. The labels on both
are the same, yellow with black text and don't seem to vary at all. The matrix
#'s do differ: the original is hand written "LPM 3002-A1" for the A side, the
counterfeit is hand written "LAUREL 3002 - 2 - A -" for side A. Considering this
was the first outing for the Dressing Room Rehearsal material, several issues of
the original wouldn't surprise me, and neither does a counterfeit issue.
Side A is made up of familiar Hayride material: "Maybelline",
"That's All Right", "Baby Let's Play House", Tweedle Dee", "Houng Dog" from the
Hayride in '56, the Million $$ Quartet tune "You Belong to My Heart", and the
alternate "Old Shep" take which escaped on a rare US pressing of the November
1956 "Elvis" LP. Side 2 contains the Dressing Room Rehearsals. It is quite
fantastic that this material made it out on boot LP, and in very good quality.
The pressing is very good, no extraneous noise, a very well pressed LP on high
quality vinyl. The counterfeit version is still of good sound quality as well,
though of slightly less fidelity and containing some hiss. The conclusion being
that the counterfeit pressing was mastered from a copy of the original LP,
resulting in the expected degradation.
"Elvis Rocks and the Girls Roll" also has a fantastic cover
photo. Elvis posed playing electric guitar during the '68 Comeback production
numbers; two levels of "Elvi" outlined in red in the background. The back cover
shows a photo of Elvis sitting on a stage in a nightclub scene, credited as
being during a break in the filming "Girls, Girls, Girls". A tape legend is
reproduced, as is the label for a Radio Recorders acetate, the contents of which
makes up the majority of the second side of this LP; the Dressing Room Rehearsal
material is featured on the first side. A write up on the back cover credits the
"Play It Hot" LP as being the first release of the Dressing Room Rehearsals
several years prior, (some quick math would lead me to believe the LP was
released between 1986-88), however the producers claim "a much better (and
slightly longer-running) tape was found", justifying the re-release of the
material.
A quick comparative spin on the old turntable points out two
things. "Elvis Rocks" was mastered at a higher level so the sound is louder.
Speculatively, this might have required the use of some compression to even out
any loud sections so as to avoid distortion, though there is some inherent in
the source tape to begin with. The second factor is EQ; high and mid seem to
have been added to give the sound some "sparkle", but because of this some
signal hiss is also evident. Without having the time to directly compare the LP
sides to see if in deed "Elvis Rocks" contains a "slightly longer-running" tape
as it claims, the source most likely is not different than the one used on "Play
it Hot", though I'm not saying it isn't. "Play it Hot" seems to feature the
sound as it is naturally on the source tape, "Elvis Rocks" would be the
"sonically improved" version. Side 2 of "Elvis Rocks" contains previously
unreleased acetate material, "Mama", "Earth Boy", "I Don't Wanna Be Tied",
"Dainty Little Moonbeams", "Girls, Girls, Girls #2", "True Love Travels On A
Gravel Road" from Memphis '69, "Night Life", and the Elvis/Ann duet of "You're
the Boss", with which we are all familiar.
The Dressing Room Rehearsal track listing is basically the same
on both LPs: "I Got A Woman", "Blue Moon/Young Love/Happy Day", "When It Rains
It Really Pours", "Blue Christmas", "Are You Lonesome Tonight/That's My Desire",
"That's When You're Heartaches Begin", "Baby What's Wrong/Peter Gunn", "Love
Me", "When My Blue Moon Turns to Gold Again", "Blue Christmas/Santa Claus is
Back in Town".
In conclusion, these 2 LPs are fun to have. Good material, well
done artwork, and even though they are released on different labels, they both
prove "Elvis Rocks as he Plays It Hot!!"