Mr. Mojo Risin' In 1971? Another Mystery!

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Mr. Mojo Risin' In 1971? Another Mystery!

#1798075

Post by drjohncarpenter »

Dedicated fans know that 1971 was a crucial year in Elvis Presley's comeback period.

It began with a superb LP called Elvis Country: I'm 10,000 Years Old. Perhaps the best collection of his 1970 studio work, mostly masterminded by the singer spontaneously moving from a pedestrian series of pop sessions in Nashville to a fresh look at country influences that shaped his greatest work. It remains his finest 1970s studio LP today.



Image
Image

Elvis Country (I'm 10,000 Years Old) (RCA LSP-4460, January 9, 1971)



But the momentum of Presley's stunning 1969 Memphis recordings, and fiery return to the concert stage the same year, suddenly went south in 1971.

He'd accept another booking into Las Vegas, his fourth month-long residency in just 17 months, and there would not be a single concert given outside of Nevada, let alone the United States, that year, save a dozen-city tour booked in November.

And, most importantly, nearly all of his singles would bomb on the charts, with just a couple scraping into the top ten. This was a terrible fall from the powerful, Memphis-recorded single A-sides delivered to retail and radio in 1969 and 1970.

MEMPHIS-ERA

Two #1 hits, five in the top 10, February 1969 to March 1970:

"If I Can Dream" #9, February 1, 1969
"Memories" #24, April 26, 1969
"In The Ghetto" #1, June 28, 1969
"Clean Up Your Own Backyard" #25, August 2, 1969
"Suspicious Minds" #1, October 18, 1969
"Don't Cry Daddy" #6, January 24, 1970
"Kentucky Rain" #10, March 14, 1970

http://cashboxmagazine.com/

POST-MEMPHIS

Zero #1 hits, two in the top 10, July 1970 to November 1971:

"The Wonder of You" (live) #10, July 4, 1970
"I've Lost You" #18, September 12, 1970
"You Don't Have to Say You Love Me" #10, November 28, 1970
"I Really Don't Want to Know" #13, February 6, 1971
"Where Did They Go, Lord" #34, April 10, 1971
"Life" #40, June 10, 1971
"I'm Leavin'" #36, August 21, 1971
"It's Only Love" #51, November 6, 1971

http://cashboxmagazine.com/

So it was very interesting to discover, via a recent Graceland auction, that someone at RCA knew there was a singles problem, and tried to fix the downward trend.

The idea? Release Elvis' studio jam of "Got My Mojo Working" and "Hands Off" as an A-side!


The Auction at Graceland•Elvis Week • August 13, 2016

Lot #179:

1971 Original Concept Art Mock-Up for Never-Released Single of Elvis Presley’s “Got My Mojo Working” from Love Letters from Elvis



752_b_lg.jpeg


Offered is incredible never-seen, unpublished artwork for a single that was never released by Elvis Presley for the recordings of “Got My Mojo Working” and “I Was Born Ten Thousand Years Ago.” “Mojo” was included on Elvis’ June 1971 release Love Letters from Elvis, and parts of the other tune were used as a bridge between songs on the January 1971 album Elvis Country. The year saw a torrent of Presley releases, with seven LPs and as many singles, and perhaps this pairing was suggested (indeed, taken far enough that the artwork was ordered) and then shelved.


752_lg.jpeg


An interesting addition to the artboard, attached with black tape to the lower right, is a 35mm color slide of the photograph used for the 45 sleeve. Further adding to the mix of albums involved here, writing on the slide holder indicates that the photo was originally slotted for another use: the top and bottom of the slide holder read, respectively, “CAMDEN” and “I GOT LUCK.”


752_c_lg.jpeg


It’s not clear why the single was never released, and it could be as simple as another offering being released instead. Possibly, though, ongoing litigation between several parties concerning the publishing rights to the song may have made it less than desirable as a single, although it had already appeared on the LP Love Letters. The mystery endures, regardless, and leaves us with a phenomenal relic of Elvis’ recording career. The artwork measures approximately 20 by 13 inches (50.8 x 33.02 cm) and is accompanied by a letter of authenticity from Graceland Authenticated.

https://auction.graceland.com/1971_Original_Concept_Art_Mock_Up_for_Never_Releas-LOT752.aspx



Such were the desperate times at this point that someone believed that a high-energy, albeit off-the-cuff, Nashville studio jam was superior to available, planned studio masters done at the same time.

And the sad thing is, RCA was right.





Elvis Presley "Got My Mojo Working"' / "Hands Off" (RCA Studio B, Nashville, June 5, 1970)
Released on Love Letters From Elvis in 1971.
Jam of early 1957 Chess single by Muddy Waters with Jay McShann's Orchestra's "Hands Off," sung by Priscilla Bowman, a #1 r&b hit in 1955.



Even the projected B-side, another rollicking r&b off-the-cuff cover, this time the wonderful 1953 Brownie McGhee and his Jook Block Busters single "I'm 10,000 Years Old," would have been a nice surprise. It had previously been heard in bits and pieces, as a bridge between songs on January's Elvis Country album





Elvis Presley "I Was Born About Ten Thousand Years Ago" (RCA Studio B, Nashville - June 4, 1970)
Complete jam issued on Elvis Now in 1972.



It's also curious that RCA tried to get "Mojo" on a 45 just as news of the death of Jim Morrison hit the music world. Had someone been digging L.A. Woman, the fabulous new Doors album issued in April? It was notable for being a stripped-down return to their blues rock roots.

We may never know. But for whatever reason, the 45 never came out.

Instead the next release would be "It's Only Love," which sunk like a stone despite being a decent cover of a 1969 B.J. Thomas single on Scepter Records. Thomas' recording had been cut in Memphis at American Sound, too. Too little, too late.

So went 1971, a pivotal year in the comeback era.
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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798082

Post by elvisjock »

Elvis' statement that he'd never again record a song he didn't believe in turned out to be just words, as the publishing gatekeepers regained their stranglehold.


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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798089

Post by CISKO2COOLA »

elvisjock wrote:
Mon Nov 02, 2020 12:51 am
Elvis' statement that he'd never again record a song he didn't believe in turned out to be just words, as the publishing gatekeepers regained their stranglehold.
Thanks for sharing. The proposed release and single covers are really insightful.




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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798096

Post by Ryan73 »

Excellent post Doc and and as always you never fail to bring another interesting piece of history to the table of the presley legacy. Extremely interesting to see that as early as 71 that the record company saw that changes needed to be made.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798106

Post by drjohncarpenter »

BONUS MOJO


Below are the three tremendous r&b singles that made such an impression on Elvis Presley between the age of 18 and 22 that he pulled them up out of nowhere at at Nashville recording sessions in the summer of 1970, when he was 35.




570316_Chess 1652.jpg




Muddy Waters "Got My Mojo Working" (Chess 1652, March 16, 1957)
Recorded in Chicago, December 1, 1956, featuring Muddy Waters (vocal), James Cotton (harmonica), Otis Spann (piano), Jimmy Rogers (guitar), Willie Dixon (bass), and Francis Clay (drums).




551022_Vee-Jay 155.jpg




Jay McShann's Orchestra, "Hands Off" (Vee-Jay 155, October 22, 1955)
Billboard Rhythm & Blues Records "Best Sellers in Stores" and "Most Played by Jockeys" #1, December 17, 1955.
Recorded in Chicago on September 4, 1955, featuring Priscilla Bowman (vocal), Jay McShann (piano), Orville "Piggy" Minor (trumpet), Oscar "Fats" Dennis (sax), Eugene "Jeep" Griddline (guitar), Oscar "Lucky" Wesley (bass), and Al Duncan (drums).





530600_Jax 312.jpg




Brownie McGhee and his Jook Block Busters, "I'm 10,000 Years Old" (Jax 312, June 1953)
It's very possible Elvis' 1964 recording of "Memphis, Tennessee" borrowed the drum intro heard on this single.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

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Post by Ryan73 »

Fascinating to read but at the same time not altogether surprising. When left to his own devices and not having to force fed mediocre material, our man knew how to pull a rabbit out of the hat. One only wonders what else was kicking around in that huge backlog he had in his head. Still wish he had cut Columbus Stockade Blues but thankful we had that outtake.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

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Post by rockinrebel »

The success of The Wonder Of You certainly had an impact on the ballad heavy single choices that followed. I'm assuming Elvis wasn't involved with selecting single sides at this point, as I can't imagine that Elvis chose Life for single release, given his comments whilst recording the song.
As we have discussed here in the past, It's Your Baby, You Rock It would have been a better single choice from the Elvis Country album, and this would have been a welcome change from the post Wonder Of You ballad releases. The same thinking seems to have been behind this proposed release of Mojo, and it would be interesting to know whether a shorter, tidier edit was ever prepared for the intended single release. Certainly a tighter edit than the version that appeared on the Love Letters album would have been required for radio airplay.
If the proposed album release was still going to be Love Letters, the album may well have been a disappointment for many fans on tha back of Mojo as the lead single, and the promise of further roots based recordings from Elvis.
Of course RCA had options for further R&B recordings with the live masters from '69 - '70, TTWII rehearsals, and even the NBC tapes, so alternative album options could have been considered if they were really looking to mix things up.
Last edited by rockinrebel on Mon Nov 02, 2020 10:07 pm, edited 1 time in total.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798140

Post by jurasic1968 »

Great information, Doc. Thanks. It's very sad that after a great start in 1971 with the Elvis Country LP, the rest of the year was not very good regarding singles and albums, excepting the November tour.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798149

Post by Rocker »

Very interesting, thank you!


Although I'm sure Elvis knew Muddy Waters' recording of "Mojo", I guess his main inspiration was Ann Cole's version, which would also explain the inclusion of "Hands off", which is obviously the song Cole's recording of "Mojo" was modelled on:




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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798165

Post by GuyLambert »

This is an awesome post. I've always thought the Nashville sessions suffered from the absence of a real producer. The harmonica overplaying drives me nuts. Never heard the original 10,000. Love it.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798180

Post by Rich_TCB »

I'll be damn. Thanks, Doc.

I'm surprised that this information wasn't discovered when the auction originally took place.

It somehow got overlooked.


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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798182

Post by midniteflyer »

Great post,looking at the post Memphis single releases I was amazed to see there was a new single every two months,was that a normal release schedule for the period for other artists ?.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

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Post by drjohncarpenter »

Rich_TCB wrote:
Mon Nov 02, 2020 6:04 pm
I'll be damn. Thanks, Doc.

I'm surprised that this information wasn't discovered when the auction originally took place.

It somehow got overlooked.


Not anymore. :wink:


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Re: Mr. Mojo Risin' In 1971? Another Mystery!

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Post by Gamma Master »

Thanks for another informative post Doc! Greatly appreciated


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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798254

Post by hli »

drjohncarpenter wrote:
Mon Nov 02, 2020 4:34 am
BONUS MOJO


Below are the three tremendous r&b singles that made such an impression on Elvis Presley between the age of 18 and 22 that he pulled them up out of nowhere at at Nashville recording sessions in the summer of 1970, when he was 35.





Image





Muddy Waters "Got My Mojo Working" (Chess 1652, March 16, 1957)
Recorded in Chicago, December 1, 1956, featuring Muddy Waters (vocal), James Cotton (harmonica), Otis Spann (piano), Jimmy Rogers (guitar), Willie Dixon (bass), and Francis Clay (drums).





Image





Jay McShann's Orchestra, "Hands Off" (Vee-Jay 155, October 22, 1955)
Billboard Rhythm & Blues Records "Best Sellers in Stores" and "Most Played by Jockeys" #1, December 17, 1955.
Recorded in Chicago on September 4, 1955, featuring Priscilla Bowman (vocal), Jay McShann (piano), Orville "Piggy" Minor (trumpet), Oscar "Fats" Dennis (sax), Eugene "Jeep" Griddline (guitar), Oscar "Lucky" Wesley (bass), and Al Duncan (drums).






Image





Brownie McGhee and his Jook Block Busters, "I'm 10,000 Years Old" (Jax 312, June 1953)
It's very possible Elvis' 1964 recording of "Memphis, Tennessee" borrowed the drum intro heard on this single.



.
Thanks, great post!
Soundtrack song Adem and Evil has a simular intro to "I'm 10,000 Years Old".
Is that a coincidence?




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Re: Mr. Mojo Risin' In 1971? Another Mystery!

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Post by ICanHelp »

Excellent information. Thank you.




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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798256

Post by seaward »

Nice piece of historical knowledge. At that time, a single with a rocking jam like Mojo probably would have worked better. I believe Presley was using that song in his Vegas shows so the timing was perfect. Country was an awesome Lp and Mojo could have been a great heads up single for the upcoming folk Lp, if it had only happened. We will never know.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

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Post by r&b »

seaward wrote:
Tue Nov 03, 2020 1:58 am
Nice piece of historical knowledge. At that time, a single with a rocking jam like Mojo probably would have worked better. I believe Presley was using that song in his Vegas shows so the timing was perfect. Country was an awesome Lp and Mojo could have been a great heads up single for the upcoming folk Lp, if it had only happened. We will never know.
Mojo and an LP of blues/R&B songs would have been a superb follow-up to the country genre LP. Elvis in the 70's was without a decent producer (or direction) to suggest such things. The possibilities are endless and the accolades would have been flowing not to mention a much better body of work. For a guy who liked R&B and blues he did little of it after 1970 . Jim Morrison apparently (LA Woman) liked MR. Mojo rising as well!
Thanks doc for the topic.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

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Post by drjohncarpenter »

Rocker wrote:
Mon Nov 02, 2020 2:10 pm
Very interesting, thank you!


Although I'm sure Elvis knew Muddy Waters' recording of "Mojo", I guess his main inspiration was Ann Cole's version, which would also explain the inclusion of "Hands off", which is obviously the song Cole's recording of "Mojo" was modelled on:






Chess managed to get the Muddy Waters version out first, though, around March 16th. The story is that he picked it up from hearing her sing it on tour as a part of his opening act.

Cash Box reviews do not note they are singing the same song. For Muddy, "Rock Me" was considered the preferable side to plug.


Cash Box_Mar 23 1957_p47.jpg
Cash Box - March 23, 1957
"R & B Sleeper of the Week" - Muddy!


Cash Box_Mar 30 1957_p47.jpg
Cash Box - March 30, 1957
"R & B Sleeper of the Week" - Ann!



It's likely Elvis knew both recordings, and since he had such a soft spot for female vocalists, Ann certainly would have stayed in his memory. Neither the Muddy Waters nor the Ann Cole discs made the r&b charts in 1957, although both got radio play.


Cash Box_Apr 20 1957_p43.jpg
Cash Box - April 20, 1957



There was some debate about authorship, and it went to court. Preston Foster is credited as the songwriter, but "Got My Mojo Working" litigation in the 1970s determined that no one artist had a true ownership of the "mojo working" notion, although Foster merited the copyright in the song.

Got My Mojo Working - Litigation
http://en.wikipedia.org/wiki/Got_My_Mojo_Working#Litigation



Cole's rendition is fabulous indeed:





Ann Cole with the Suburbans, "Got My Mo-jo Working (But It Just Won't Work On You)" (Baton 237, March 30, 1957)

What a vocal!


570330_Baton 237_Ann Cole.jpg


Her previous single was "In The Chapel" (Baton 232, and that did chart, going to #14:





Ann Cole with the Suburbans, "In The Chapel" (Baton 232, October 13, 1956)
Billboard R&B "Best Sellers in Stores" #14, January 26, 1957.


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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798277

Post by rickeap »

Thanks for the info.
As much as i like Mojo, I don't think it would have made a great single, though surely it would have been a better choice than Life! There was an overload of material at this time, with too many misses.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798281

Post by Mister Mike »

I have a 1971 aircheck from either WCFL or WLS in Chicago (I think) in which they actually play the song as part of selected album cuts added to their playlist. So there was at least one major radio market that thought the song was worthy of airplay.


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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798350

Post by ocoeeknight »

Fantastic post! This type of insight into the business side of EP's career is so interesting. I wish someone with this type of inside knowledge would write a book.



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798479

Post by Alan_K »

Someone at RCA had good intentions and foresight.

To end 1971 RCA UK were allowed to just do their own thing. They released I Just Can't Help Believin' / How The Web Was Woven and grabbed Elvis a
yet another UK top ten hit.

Whilst a good release for the UK, I've no idea how that would have gone down in the US.
However, the Mojo single I feel would have been positive, so, my point with mentioning the UK single is, why could RCA UK do their own thing and yet when someone at RCA US comes up with a winner it just wasn't allowed to happen?

As I'm sure this has been discussed before, ( we can again? ) when and if ever did Elvis start / stop having any input / control over what was released as a single and what wasn't?


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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798498

Post by jeanno »

r&b wrote:
Tue Nov 03, 2020 2:11 am
seaward wrote:
Tue Nov 03, 2020 1:58 am
Nice piece of historical knowledge. At that time, a single with a rocking jam like Mojo probably would have worked better. I believe Presley was using that song in his Vegas shows so the timing was perfect. Country was an awesome Lp and Mojo could have been a great heads up single for the upcoming folk Lp, if it had only happened. We will never know.
Mojo and an LP of blues/R&B songs would have been a superb follow-up to the country genre LP. Elvis in the 70's was without a decent producer (or direction) to suggest such things. The possibilities are endless and the accolades would have been flowing not to mention a much better body of work. For a guy who liked R&B and blues he did little of it after 1970 . Jim Morrison apparently (LA Woman) liked MR. Mojo rising as well!
Thanks doc for the topic.
There definitively should have been a Blues album around 1971: it was the perfect time after "Elvis Country" but it seems that, at the time, our man was distancing himself from his R&B roots. Sadly.

My own R&Blues Record (1968 / 1971) :

SIDE A
intro TIGER MAN (dressing room jam, 1968)
STRANGER IN MY OWN HOME TOWN (undubbed master, 1969)
BABY WHAT YOU WANT ME TO DO (1st sit down show, 3rd Perf.)
LONG BLACK LIMOUSINE
SUSPICIOUS MINDS (mono single)
SEE SEE RIDER ("On Stage")
BOSOM OF ABRAHAM

SIDE B

AFTER LOVING YOU (Out-take #2)
WHOLE LOTTA SHAKIN'
MERRY CHRISTMAS BABY (single version)
GOT MY MOJO / HANDS OFF (undubbed / unedited)
DON'T THINK TWICE (1995 EDIT)
MY BABE
outro MYSTERY TRAIN / TIGER MAN ("Viva las vegas" CD 2)

Excellent Topic, Doc!



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Re: Mr. Mojo Risin' In 1971? Another Mystery!

#1798511

Post by Alan_K »

The problem with Elvis getting good songs again was his own success again.
Once he was great they thought any crap would sell, when it didnt after a few years they gave him great songs again, when that made him a success again then guess what....?
Yeah, bit simplistic but they did control what demos got to Elvis.
In the MSG press con he did say he'd record great songs if they could find a way to get them to him, hinting it wasnt going to be easy.

Sad.


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