Back On Topic and away from personal slander...
It is easy to see that the same people moaning about MRS were the same FECC posters who praised the bootleggers when they put out the stolen RCA material first time around.
ie, Madison was such
a GREAT label putting out stolen RCA material, yet in 2023 MRS is
so so horrible when they put out the same stolen RCA material.
Now that is ironic.
ORION wrote: ↑Wed Dec 20, 2023 2:37 am
Well, this has become quite the topic.
The August '72 shows from MRS sound amazing to me - much better than my FTD sets with the same shows - and FTD has still yet to give us the opening show from January 1972. Maybe this is a tape that never made it to the Sony/FTD archives and we'll look at Ernst as using a bootleg as a source to release this show - if they ever do. Did Ernst use the bootleg of this show to add a few tracks to the "An American Trilogy" CD?
SO TRUE - the MRS audio remaster of 1972 Closing Night puts Madison's, Rock Legends' and also FTD's version to shame.
There is no way you can go back to the hissy old versions when you hear the MRS remaster.
emjel wrote: ↑Sun Dec 17, 2023 4:04 pm
If FTD have already released the recordings, and fans have already bought them, and MRS according to you are just copying what FTD have already released, why would fans waste money to buy the MRS release? How would that affect FTD’s income?
If MRS put out something new prior to FTD putting it out, once again, that is not MRS’s fault but FTDs. Further, and under that scenario, if FTD have not yet released it, then MRS cannot have stolen it from them.
If you are suggesting that MRS have an advantage over FTD because they sell their products across Europe and the U.K. via record shops and places like Amazon, then once again, that is the fault of FTD’s business model
Bottom line here is that the ball seems to be well and truly in FTD’s court.
And emjel is right.
if MRS put out material AFTER FTD has released it, it will not affect FTD sales.
I am a collector so have usually first bought the bootleg, then the "improved bootleg", then the FTD version and now the MRS version.
And in almost all cases the MRS version has been the best audio remastering.
MRS has never affected my FTD purchases.
Except when MRS put out their "1971 Vegas" collection which was of course before FTD put out a lesser package of exactly the same material.
And then, obviously, MRS could not have used the FTD release as a source.
As far as I am aware MRS stick to the 50 year Public Domain rule yet there are other labels selling Elvis product on Amazon that do not stick to that rule.
ie
'Mid-South Coliseum, Memphis, 5th July 1976' on the Rox Vox label.
They have plenty of sales and reviews but unlike MRS no remastering and the same old bad audio.
Why are the MRS haters here not discussing these other Amazon sellers who are
definitely breaching the PD laws?
If MRS sales threaten FTD (which i doubt they do) then FTD / SONY should be releasing similar cheap sets.
I am certain that MRS major sales come via Amazon and the general public - the majority of whom wouldn't buy or likely don't know about the FTD label.
SONY did a cut-down set with 'Tupelo', it only is a shame that SONY won't green-light more of the same.
Of course, the easy money is via digital and SONY artists such as Harry Styles, Adele, Beyonce, Sza, Travis Scott, Pharrell Williams etc are making a ton of money for the label
Let's face it
Doja Cat (who did Hound Dog in the Baz ELVIS movie) has recently sold
35 million records so is unfortunately far far more important to SONY's income than anything old school like our man Elvis.
If MRS can make good quality ELVIS product and flog it via mainstream on-line stores then perhaps we should be more angry at SONY for not doing the same.
Cheers,
Piers